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Ralph Fiennes’ papal thriller film is divine

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Do you think our presidential elections are controversial? Just wait until you see a bunch of catty Catholic cardinals vying to be the next pope in “Conclave.”

Director Edward Berger’s stunning adaptation (★★★★ out of four; rated PG; in theaters Friday) of Robert Harris’ 2016 novel is more electric than you’d ever expect from a papal potboiler. Ralph Fiennes gives a steady and strong performance as the man in the middle of a beautifully watchable religious chaos. Berger improves on his work on the Oscar-winning remake ‘All Quiet on the Western Front’, effortlessly interweaving locked room mystery, courtroom drama, detective story and political thriller into one exciting and timely story.

The pope’s unexpected death could not have come at a worse time for Cardinal Lawrence (Fiennes): he is overcoming his own crisis of faith, having previously been denied permission to sort out his beliefs, while he must inaugurate the conclave to choose beliefs. new leader.

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Colleagues and candidates alike flood into the Vatican to be sequestered and vote for the next pope, but the strange circumstances of the pope’s death, plus tons of friction between cardinals, weigh on the already stressed Lawrence.

His progressive friend Bellini (Stanley Tucci) is one of the group’s favorites, but so is the power-hungry and dangerously conservative Tedesco (Sergio Castellitto). The charmingly devious Tremblay (John Lithgow) throws his considerable political weight into the fray as Adeyemi (Lucian Msamati) vies to become the first African pope. Then there’s Benitez (Carlos Diehz), a cardinal from Kabul who no one even knew existed except the dead man who appointed him.

Some are cool, some are corrupt, and many have hidden agendas or outright secrets. As alliances form and tempers flare, Lawrence becomes the de facto Saint Columbo, investigating potential scandals and assorted backstabbing as the story meanders before the white smoke finally billows in the film’s pleasantly shocking finale. (Write it down to divine intervention if you can see THAT coming.)

Having a bunch of ambitious religious guys stuck in one place gives “Conclave” a hostile and explosive energy, which contrasts with the wonder and awe of the papal voices unfolding in the Sistine Chapel. (They didn’t film at the actual location, but, holy cow, does Berger still immerse you in the splendor.)

The atmosphere is enhanced by excellent acting: Fiennes gives a vulnerable and serious attitude to the honorable Lawrence, while Tucci’s complexity and Lithgow’s antagonism fuel their respective rival cardinals. Isabella Rossellini is also spectacular as Sister Agnes, who at first appears to be Lawrence’s nun Friday and lends him a helping hand with her problem-solving skills, but she becomes one of the film’s main sources of emotional warmth and moral richness .

Berger juggles a cast of characters with enough different ideologies and qualities to keep an audience interested in rooting for or against certain cardinals — he even nods to certain aspects of the Catholic Church’s dark reputation to add depth. give. The thriller is both a thought-provoking examination of real-life themes and human shortcomings, but also an undoubtedly entertaining exercise, with the simple act of dropping off ballots becoming a crucial aspect of a glittering affair.

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